Way, cool! SF-EMM member SATURN is having his CD release party in a week and a half. Here’s the press release:
“It’s like Prince and Bowie throwing a dance party.”
Renowned guitarist and Out Rock Artist Robert Urban once said of Saturn “To experience this handsome rising star croon, rap, dance, vogue, charm and effervesce his way through a live concert is to witness perhaps the hardest-working gay man in show biz. In addition to a voice this guy has some serious original moves.”
Saturn will be joined by up and coming pop sensation KaeRo as well as the local jam band Zutra. Tickets are $7 and a FREE CD is included.
Lots of music and a free CD? Awesome! More info at:
SATURN’s web site:
OK, this seems like the most sensible thing to do in order to figure out how can help us transport the gear + set up the equipment for the Meetups:
A recurring monthly event has been set up a 1/2 hour before the meetup and limited to just 2 open spots. If you can help carry and set up things on that day, please say you’re attending the “P.A. Crew” event. You can sign up for the February one here:
EMM member James (General Fuzz) shares some insights on music production and recording in his latest blog post. http://www.generalfuzz.net/blog/?p=850
Amy has asked me to write an article about the show I did at the Hot Spot Bar on Sunday, December 5th, 2010, describing my equipment and setup logistics of the performance.
This was the first time my equipment and concept had left the studio, and I was actually still encoding video at 4:00 that day, so I was a little stressed, but it was a fun night! My main concern was hoping my equipment and the concept of playing solo with video and tracks would translate into a typical bar environment, and I felt that the Hot Spot was a perfect place to try it out. Eve and her partner set up the PA system that also included a subwoofer, speakers downstairs and upstairs, and a video screen.
Besides some unforeseen circumstances (broken projector remote) and a few mistakes on my part (no guitar volume to mains, ill-fitting earbuds) I think the concept translated quite well, and I’m looking forward to future shows, and eventually a tour, with little or no glitches thanks to what I learned that night.
As for my setup:
Behringer RX1202FX Eurorack mixer. I submix everything and send a stereo out to house mains (or in an independent situation, to powered speakers), using stereo for everything except the mic.
AudioTechnica ATW-251-H92-TH Wireless Mic System. This is a low-end VHF wireless system, and I actually like it quite a lot, and thought it sounded good. I like not being tied to a mic stand. Split mono signal to submix and KP3 pad.
Nady E03 wireless headphone monitor system. As everyone knows, an in-ear monitor is mandatory when you play with tracks. The headphones that come with this low-end UHF system are really bad. Use your own, and make sure they don’t fall out of your ears! It worked great, except I’m replacing my ipod earbuds with higher-end, better-fitting ones. Submix monitor out.
General wireless note: Consider getting higher end, matching UHF frequency components for potential interference prevention (although, IMHO, I don’t know how much control anyone really has over this, and I didn’t notice any substantial problems).
Benq GP1 LED projector with USB interface. I prerecorded live tracks that I attached to video on a thumb drive, which is then inserted into the projector. I’m not impressed with the projector’s menu interface or special encoding you need to do for the USB mpg files, and as those who attended may have noticed, there was a green line on the right side of the video (I have no idea why), and a loading bar for each one. I am looking into using my Macbook Pro and itunes to run the video/tracks in the future for better quality all around, but I really do like the idea of plugging in a thumb drive, instead of running more wires and adding another component to the system. I will give you an update on that one. I thought the projection and the associated music tracks looked and sounded good though, and I was happy with the quality of the machine itself. Stereo signal to submix.
Korg KP3 Kaoss pad. I love this machine. I think I’ve really only scratched the surface of it’s capabilities, but I predict it will become even more crucial to my live sound, and will add interactivity to the performance, which I find important since I play with tracks. I use it extensively in the studio for guitar and vocal effects, which will eventually carry over into my live show. Stereo signal to RC50 Loopstation.
Boss RC-50 Loopstation. Unfortunately, there was not enough room to use this, and at this time, is not a crucial component to my system, but I expect that to change. Typically though, I use it to control the Korg KP3 pad; I program the setlist into it with BPMs and run a midi out to the KP3, and this helps keep the Korg effects in sync. I find looping difficult because you need really talented feet! One thing I can say, though, is that when I do it correctly, it’s right on with the BPMs, so I’m working on that one…I think it has potential, and I like the programming options – you can really customise it to each one of the songs. Stereo signal to submix.
Line 6 Pod XT Live. This is a highly programmable guitar effects machine, and I think it sounds good for line-in guitar performance, which a lot of players cringe about, but I really like it, use it constantly, and it integrates well with the live tracks; an amp would have a hard time doing that unless you were in a venue with a great system and highly skilled engineers. Split stereo signal to submix and KP3 pad.
1959 Gretsch Anniversary Special guitar. Love. Straight into line 6 pod xt live.
All in all, i was happy with the fact that all of my equipment actually worked, people showed up, and the concept translated. I had a nice time – thanks SFEMM!
No, thank YOU Jane! — Amy
Thank you to Jane Woodman (http://janewoodman.com/) for the great performance, and to the Hot Spot Bar for hosting us. Here’s some pictures!
Thanks everyone for coming out to this week’s meetup! We heard some great new tracks in different electronic styles. Here are the notes for December’s meetup.
- Chris Huelsbeck showed us some of his music from the new game Kubrik for iPhone.
Video: Kubrik ( Iphone/Ipod touch/Ipad ) on Vimeo. Apple Store: Link.
- Amy Lee played an awesome electro glitch remix she created for the SF-EMM Devo Remix Project.
- The idea of the project is to remix the song ‘Freedom of Choice‘ by Devo using stems from Beatport.com. Anyone and everyone is welcome to participate. Download the stems ($3.99) from Beatport.com, finish your remix and send it to us by December 15th, 2010.
Email submissions in MP3 format to email@example.com.
- SF-EMM is also planning to put together a 2010 compilation album showcasing tracks by members from 2010. If you’d like to participate, consider which track you’d like to feature. More info on this soon!
- Kentaro Fischer shared a preview of his remix for the Metric remix contest on Indabamusic.com. Link coming soon when the track is finished. Hear more of Kentaro’s music here: http://www.sonicade.com/
- Indabamusic regularly features remix contests, many of them by major artists and free to enter. Check out the stems from the John Legend feat. The Roots – Shine contest.
- Mike Heijmans played a track for the robot factory scene from an in-the-works animation project. Hear more of Mike’s music here: http://www.conduitrobotic.com/
- Don’t forget to check out Jane Woodman’s performance tomorrow (December 5th), 7:00PM at The Hot Spot bar (1414 Market St)!
See you at the next SF-EMM in January!
A week later than normal, but it was a good one! Thank you to everyone that came by. (btw: There were no notes for October’s meetup.)
Two big things happening soonish:
Jam Session. This Sunday, November 14, 3:00 PM, at the Hot Spot.
However, we will only do this if we have 5 RSVPs. Please visit our calendar to
Jane Woodman is going to be doing a special set at the Hot Spot on
December 5th at 7:00 PM. Details forthcoming…
- SF-EMM 2010 Album: The idea is coming together where we can have our SF-EMM members contribute to an album that showcases our work for 2010. Details also coming soon…
OK, notes from the meetup:
KVR Korg MS-20 VST:
SQ8L VST, simulated the Ensoniq SQ80:
Drumatic VST by E-Phonic:
Vienna Ensemble Pro zero-latency VST multi-computer host/bus:
Korg Nano Controllers:
PAC SNI-1/3.5 ground loop noise filter:
Hey everyone! Here are the notes from August’s Electronic Music Meetup:
- Kin-Yoobi Con is this Saturday August 7. Eve is doing the fashion show and coordinating music for it. 3:00-4:00 PM, Chabot College.
More details: http://www.gzronline.com/convention.htm
- Chris Huelsbeck played tracks from some of his upcoming projects. His new soundtrack EP for ZombieSmash is now available:
- Renoise Duplex two-way controller framework:
- TouchOSC for iPhone/iPod Touch/iPad lets you build your own virtual OSC controllers:
- Jonathan Baudanza came by to share with us what he’s doing at Beatlab.com. Beatlab is an online interactive music creation and collaboration website.
- Make wicked cool basslines with Toxic III VSTi:
- PICnome: grid-based controler. Demo videos:
- Eigenharp: new breath/key MIDI controller, only £4000! Demo video and main product page:http://www.eigenlabs.com/
- To cancel noise on an audio signal get a PAC SNI-1/3.5 noise filter on eBay:
- iStrobosoft strobe tuner from Peterson Strobe Tuners:
Slides from the Meetup: