Ableton Push is a “highly intuitive and fresh new musical instrument”

Certified Ableton instructor Antonio Sage writes about his experiences with Ableton Push and Live 9:

I cannot recall the last time a device had been so highly anticipated as Ableton Push.

With good reason. Push is not only a sleek, beautiful control surface for Ableton’s newly released version 9 but it is also a highly intuitive and fresh new musical instrument. It’s touch sensitive multi-color grid is specifically designed to eliminate the barriers that get in the way of the flow of the initial creative process. Push not only facilitates the search for the right sounds (and with Live 9’s suite including 3000 + sounds there is plenty to choose from) it also features an amazing system for almost foolproof note entry and improvisation.

I have heard and at times agreed with folks that feel musicality in the past decade has somewhat suffered. They feel that the values of study and practice have been replaced by gimmicks. “Pro Tooling” and “Autotuning” have become synonymous with a manufactured sound recording that sometimes translates poorly onstage. With Push you can choose to play in a certain scale or mode eliminating the possibility of playing the wrong note. At first glance this too might seem like cheating but there is a difference. With Push the musician can also learn about scales and modes by being able to recognize and executing note combinations familiar to the ear but previously only reserved for expert musicians. With dedication and practice there is no limit to what can be played. This newfound freedom could encourage the kind of experimentation needed to create new musical territories.

Will there be haters that will regard Push as a crutch and criticize its ease of use as further disregard of the classic values? Yes, I think so. One thing that sparks my imagination about the future of music now are the compositions that will eventually materialize as a result of putting these tools at the fingertips of highly creative individuals. Now boring overused chord progressions will be substituted by interesting, exotic and perhaps never heard progressions. Let’s now imagine that kind of power in the hands of the next Mozart, Debussy, Beethoven, etc. Perhaps a bit like the first time they were given a piano.

As a certified Ableton instructor, I am proud to be at the starting line of this revolution. If music is indeed the universal language, perhaps we will all be able to communicate more effectively and maybe Ableton’s Push might just make this world a better place.

Meet Antonio at the next SF-EMM monthly meetup on Wednesday, April 10 at SAE Institute (450 Bryant St. #100, San Francisco, CA).

Dimitri SFC’s presentation of Serge Modular synthesizers at SAE Institute SF

Here it is! If you missed the presentation of the amazingly flexible modular synthesizers from Serge you can now watch it here, and see the photos below too.

More information:

COA Modular:

Serge Modular Music Systems: (modular synthesizers)

SAE Institute SF:

San Francisco Electronic Music Meetup Group:

Portishead’s “Dummy” played by SFRMA at GMAH, Mon Oct 29

Coming up on Monday October 29 is the San Francisco Roots Music Association (SFMRA) performance of Portishead’s amazing “Dummy” album. They’ll giving the Great American Music Hall (GMAH) a trip-hop bath. Better yet, SF-EMM member Antonio Sage is laying down the bass in the band!

Go check it out and get tickets before they sell out:

Buy tickets: http://tickets.gamh.com/events/248369
Portishead event: https://www.facebook.com/events/149802975157876/
SFRMA: http://www.sfrma.org